He gets lost in the forest and encounters a demon who launches into a soliloquy that mixes Christian ideas with modern concerns around environmental destruction, resource consumption and artificial intelligence. It imagines letters addressed to the manager of the mines and the journey of a young man who is dispatched on horseback to deliver them. ![]() at Krakow’s Jan Matejko Academy of Fine Arts and, after a year-long exchange at Universität der Künste in Berlin (where she currently lives), she did postgraduate studies at the Rijksakademie in Amsterdam. ![]() “At the same time, you can achieve everything that is not possible in traditional cinema.” “I was fascinated by all the possibilities that you have in animation you are always in control of the image,” she said. Japanese animation was also an inspiration. “There is a certain emotional expression of the actor that is present in Polish film,” she said, “I find that very intriguing.” Poland’s rich cinematic traditions also influenced her, in particular the works of the director Andrzej Zulawski. She said that to this day, once she starts a story - from a heady work of literature to a bad romance novel - she has to finish it. She loved how stories unfolded in books and on film. That deep connection to storytelling goes back to her childhood in post-Communist Poland, where her father was an engineer and her mother studied art history.
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